The ornate clocks created their own sea of gold, interrupted only by their white porcelain faces that stood out like watchtowers.
They were placed tightly on a table and a shelf, and a few were sprinkled among the furniture at the auction house. They were likely part of someone’s collection, and just viewing them was overwhelming. So, I could understand why some of the clocks were powdered with dust, while others shone brilliantly.
The dust didn’t seem to bother at least one auction-goer who had left green absentee-bid stickers on several of them.
I found the gilt figural clocks a little too gaudy and fussy for my taste, so I gave them a cursory glance. I was about to move on when I paused to look more closely at the adults and children carved on them. Some of both were holding books and flowers. Some men wore their hats tipped haughtily to the side. Musicians held instruments and artists held easels. A soldier waved a bugle.
I wasn’t sure how old any of these were, but they resembled French gilt-bronze figural clocks that were made in the Rococo style from the 18th-century reign of Louis XV. Clocks – along with paintings, sculptures and decorative arts – were crafted in elaborate and ornate designs.
The style was toned down under Louis XVI, replaced by the French Empire style. Clockmakers used classical designs, mythological creatures and motifs, and topped their clocks with heroes, prominent military and literary figures, cupids, gods and goddesses.
The auction house described its selection of clocks as “antique to semi-antique French style elaborate carved and figural mantle clocks.”
Here are some of them and the human figures that graced them: